PPP - Writing About Your Work


In this session practising writing about my design, I’m going to write about one of the projects I did on my placement - branding for Hell Bay, the structure I’m going to choose to write this in will be:

  • What is the Project?
  • How does it Work?
  • Why Does it Work?

I picked this structure because in this session, looking at examples of designers websites, I really like the one which had shorter paragraphs and less text in general, focusing more on visuals. I think this structure is quite a concise way to get all the relevant information down. 

Hell Bay

Brand Identity




Hell Bay is a 4 star hotel located on the Isle of Bryher in the Scilly Isles. With a new focus on health and wellbeing, Hell Bay wanted a more contemporary and balanced identity that effectively communicates the award winning services they provide, and appeals to a younger target audience. 







In the 18th and 19th century, many ships used to crash in the rocky bay located on the north west side of Bryher, earning it the name Hell Bay. Nowadays the jagged rocks sticking out from the sea are a key feature of the view that the hotel looks out onto. The distinct curved line in this new bespoke logotype is derived from the silhouette of the rocks sticking out in Hell Bay. This line has been adapted throughout the whole visual identity, serving as a visual device that reinforces the hotel’s brand. With clean and light sans serif typography, and a colour palette that simultaneously evokes nature and grabs attention, this new brand identity for Hell Bay is both modern, and embedded within the beautiful natural scenery of the Isle of Bryher. 






Credits & Links

Comments

Post a Comment

Popular posts from this blog

Out of Context - Design Development

Image
Poster - The main development stage of the poster design saw an experimentation with colour and the layout of the typography. From the initial red and blue design, an orange and blue design was made (1), orange and blue are complimentary colours so they matched a little better, and the orange was a bit less intense than the red. Next, the blue was toned down to a lavender hue and the orange was swapped out for a green (2) this colour combination was a bit less intense however the blue and green combination had quite a natural feel to it which didn’t match the tone of the exhibition. Finally, the lavender colour was paired with the orange (3) which ultimately gave the tone and, and the lavender contrasted the orange much less than the darker blue, giving a slightly more subdued composition. Although these 2 colours are very bright, when interjected with the grey, the design is not too overbearing. The final adjustments to the poster design were laying out the typography; with the title...
Read more

Rimowa - Pitch and Feedback

Rimowa -  It was really interesting for Commission to go through the presentation that they used to pitch for the Rimowa re-brand. Straight off the bat, one of the most interesting aspects was seeing the differences in their initial concepts, and the finished result, Chris addressed this by highlighting that when you’re pitching for a project and you win, that doesn’t mean that your designs will be applied as they are in the pitch, it means that you’ve won the opportunity to further work on it, and in Commission’s case, the project ended up developing in a few ways, a lot of this down to the CEO’s vision for the identity.   What also really struck me was how incredibly refined and thorough Commission’s presentation was, they created so many different aspects of collateral for the brand, and each was meticulously produced and photographed. They mentioned that they don’t normally do pitches, however this one they couldn’t refuse, and every member of the studio worked on the...
Read more

Rimowa - Development stage

As the visual identity for Rimowa was developed, it was prepared into a presentation ready to pitch to the design studio who actually rebranded Rimowa 2 years ago - Commission.   Logo - The logo did not change after its developments in the initial ideas stage, this is because it is effective and appropriate.   Posters - Developing from the initial idea of suggesting the grooves of the suitcase on the poster, this set of posters does this, but in a sleeker and more mechanical way. The grooves run across the page at an angle, referencing the diagonal grid systems often found in bauhaus design, and they were outlined instead of filled in, in order to reduce the contrast on the page and to further communicate this idea of space.   Notebook - The design of the notebook was not changed, except for the addition of 2 metal pins at the top which would hold it together. These were added in because they evoke the aluminium of   the suitcases themselves, and therefo...
Read more